Vladimir JurowskiVladimir Jurowski

Recent highlights include performances of Boris Godunov, uniting the Orchestra of the Age of Enlightenment with the orchestra of the Mikhailovsky Theatre in St Petersburg, his debut at the Salzburg Easter Festival at the helm of the Staatskapelle Dresden, appearances with the Mahler Chamber Orchestra at the Lucerne Festival and a unique project with the London Sinfonietta in Moscow to celebrate the Anglo-Russian Year of Cultural Exchange. With the State Academic Symphony of Russia he has developed a highly individual and celebrated profile in Moscow with a strong focus on contemporary repertoire, and curated projects, most recently a series of performances exploring treatments of Shakespeare in Soviet music, theatre and cinema.

Highlights of the 2016/17 season and beyond include his return visits to the New York Philharmonic, Chamber Orchestra of Europe, Staatskapelle Dresden, Royal Concertgebouw Orchestra and Accademia Nazionale di Santa Cecilia, and a performance of Prokofiev’s Semyon Kotko with the Netherlands Radio Philharmonic at the Amsterdam Concertgebouw. He will lead the London Philharmonic in repertoire including Das Rheingold, Fidelio, Mahler’s Eighth Symphony and Penderecki’s St Luke’s Passion, and bring the orchestra to major cities including Vienna, Budapest and New York’s Lincoln Center.

A committed operatic conductor, Jurowski made his debut at the Metropolitan Opera New York in 1999 with Rigoletto, and has since returned for Jenufa, The Queen of Spades, Hansel und Gretel and Die Frau ohne Schatten. He has conducted Parsifal and Wozzeck at the Welsh National Opera, War and Peace at the Opera National de Paris, Eugene Onegin at Teatro alla Scala Milan, Ruslan and Ludmila at the Bolshoi Theatre, Salome with the State Academic Symphony of Russia, and Iolanta and Der Teufel von Loudon at the Semperoper Dresden, as well as Die Zauberflöte, La Cenerentola, Otello, Macbeth, Falstaff, Tristan und Isolde, Die Meistersinger von Nurnberg, Don Giovanni, The Rake’s Progress, The Cunning Little Vixen, Ariadne auf Naxos and Peter Eötvös’ Love and Other Demons at Glyndebourne Opera. In 2015 he returned to the Komische Oper Berlin for a universally-acclaimed new production of Moses und Aron, and made his debut at the Bayerische Staatsoper in Munich with Prokofiev’s The Fiery Angel. Future highlights include his Salzburg Festival debut with Wozzeck, and his first return to Glyndebourne as a guest conductor, to lead the world premiere production of Brett Dean’s Hamlet.

Jurowski’s discography with the London Philharmonic Orchestra includes the complete symphonies of Brahms, Mahler’s First and Second Symphonies, Tchaikovsky’s Symphonies 1, 4, 5, 6 and Manfred, and works by Turnage, Holst, Britten, Vaughan Williams, Shostakovich, Honegger, Haydn, Zemlinsky and Rachmaninov. He has also recorded Schnittke’s Third Symphony with the Rundfunk-Sinfonieorchester Berlin, and a series of Russian works with the Russian National Orchestra for PentaTone Records, works by Mendelssohn and Mahler with the Orchestra of the Age of Enlightenment, and wide-ranging repertoire from Meyerbeer to Kancheli. His tenure as Music Director at Glyndebourne has been documented in numerous CD and DVD releases including award-winning productions of Tristan und Isolde, Die Meistersinger von Nurnberg, Ariadne auf Naxos, Falstaff, La Cenerentola, Rachmaninov’s The Miserly Knight and Prokofiev’s Betrothal in a Monastery. Other DVD releases include Hansel und Gretel from the Metropolitan Opera New York, his first concert as London Philharmonic Orchestra’s principal conductor featuring works by Wagner, Berg and Mahler, and DVDs with the Orchestra of the Age of Enlightenment (Beethoven symphonies 4 and 7) and the Chamber Orchestra of Europe (Strauss and Ravel), all released by Medici Arts.